Four of my framed pieces have been selected for the 2014 Photofest, a national juried exhibition hosted by the Quinebaug Valley Council of Arts & Humanities in Southbridge, Massachusetts. Photofest 2014 will feature the work of “twenty-seven artists from thirteen states” and I’m honored to be among the exhibitors. The selection of my photography that will be on display represent a diverse cross-section of my work: both color and black & white… both purely natural landscapes as well those that bear the mark of civilization.
One of my selected works, A Breeze in Tobacco Valley (above), is part and parcel to a new project I’ve been working on which explores the vistas, textures, absorbing farmscapes and nostalgic aura surrounding the “Tobacco Valley” region of Northern Connecticut. In this particular piece, we gaze upon three time-worn tobacco sheds that stand sentinel in an abandoned field overgrown with swaying, summertime wildflowers.
I invite you visit the 2014 Photofest exhibition, where you’ll see A Breeze in Tobacco Valley along with three more of my works, as well as a range of photography by other artists. However, the gallery hours are limited so I do recommend that you carefully review them before heading over to Southbridge, Massachusetts. All of the pertinent information can be found below.
Where? Quinebaug Valley Council for the Arts and Humanities, 111 Main Street, Southbridge, MA 01550
How long does the exhibit run? September 11 through September 28, 2014
When is the exhibit opening? Opening reception is Thursday, September 11 from 6PM to 8PM
When is the gallery open? Thursdays 4PM to 8PM; Fridays 2PM to 6PM; Saturdays & Sundays 12PM to 4PM
I’m pleased to announce that my piece, Roaring Brook Autumnlands, has been selected to receive the Best-in-Show Award at the 2014 Our Natural World photography exhibit hosted by the Glastonbury Audubon Society during the month of February! Produced on an outing in Cheshire, Connecticut during a cool October morning last year, this piece is surely among my favorite works from 2013.
Since I already introduced this piece in my January 2014 blog post, Autumn Meditations, I’ve decided to take this opportunity to discuss how Roaring Brook Autumnlands came together and explain the methods I used to get the shot.
This piece grew out of an early morning trek into the woodlands of Cheshire. My plan was to set out from the trailhead well before dawn, make the 3/4-mile hike up to Roaring Brook Falls, then take advantage of twilight to capture some images that emphasized the exemplary autumn colors we enjoyed last year in Southern New England. Everything went according to plan, with the glaring exception of the light. Twilight conditions just weren’t offering up the subtle color tones that I had been envisioning. I experimented with a few perspectives of downstream cascades, eventually finding myself at the very base of Roaring Brook Falls just as the sun began to peek over the wooded hilltops behind me.
Within only a few minutes, the lackluster conditions were swept away as I watched a stunning scene unfold before my eyes. The sun had risen just enough to set ablaze the autumn canopy at the precipice of the falls, but was still low enough on the horizon that the glistening rock faces below remained cloaked in shadow. The contrast of vibrant, glowing color and dark stone made for a captivating moment that I knew I wanted to share.
Roaring Brook Autumnlands wins Best-in-Show at the 2014 Our Natural World exhibit, on display through February 28 in the Glastonbury Audubon Center.
From the standpoint of technique, a sturdy tripod was absolutely critical since the exposure ran for two seconds. But even with a stable platform from which to shoot, there were a few other considerations. The significant disparity in brightness between the falls and forest could only be tamed by calling upon two different filters. A circular polarizer helped to remove glare from the leaves and slightly deepen the tones of the blue sky. I also held a 2-stop graduated neutral density filter over the lens to dial back some of the the brilliant light of the forest canopy. The resulting exposure was balanced fairly well, ensuring that I kept detail in both the shadows and the highlights.
You can see Roaring Brook Autumnlands, as well as many other fine photographs, at the Glastonbury Audubon Center located at 1361 Main Street, Glastonbury. The exhibit runs through February 28 and many of the excellent works on display are framed and reasonably priced.
I am very pleased to announce that two of my works have won awards in the 2012 Connecticut Forest & Park Association’s photography competition, a contest which seeks out imagery that is especially representative of the state’s natural landscapes, flora and fauna, trails and hikers.
Blackledge Falls in Glastonbury was the subject of my piece titled “The Falls of Blackledge”, which won 1st place in the Connecticut Wildlands category. I shot this photograph in Autumn of 2011 during my very first visit to Blackledge Falls Park and I still vividly remember the way that every facet of the environment seemed to come together perfectly to create a truly dream-like scene. It was a privilege to be in the forests of Glastonbury to see this vista unfold before my eyes!
Shooting this photograph involved using a couple filters in order to capture all of the color and detail in the landscape. For example, a circular polarizing filter was essential to bring out the warm colors of the leaves against the bold blue sky, as well as to remove distracting glare from the wet rocks beside the waterfall. But even more important was the use of a graduated neutral density filter which allowed me to hold back 3 stops of light from the brightly illuminated trees in the background. This went a long way towards balancing the exposure, allowing me to capture detail in the shadowy, moss-laden rocks without overexposing the forest and losing those deeply-saturated colors.
This next piece, titled “Life on the Nonnewaug”, won 2nd place in the Flora & Fauna category. I shot this photograph at Nonnewaug Falls in Woodbury, where the East Nonnewaug River drops about 15 feet into a shallow pool before meandering further into the woodlands. The real challenge with this photograph was being patient enough to wait for the scene to come together as I envisioned.
I had seen a couple of green frogs darting about the pool and decided that I wanted to portray them in the context of their idyllic waterfall environment. Of course, this meant that I needed one of these skittish frogs to perch in the water in a somewhat specific area of the pool and remain still for a long enough time for me compose a shot. From the start, it was clear that they weren’t interested in participating. Every time I approached them they would quickly dive towards the deeper water and surface in the shallows elsewhere along the perimeter of the pool. This went on for a couple of hours. In truth, I had just about given up and I packed all my equipment back into my bag and was making one last walk around the pool before hitting the trails.
To my surprise, one of the green frogs had surfaced in the shallow water just as I was walking by and I figured I’d give it one more shot. I slowly unpacked my gear and set my tripod up so that my camera was suspended just above the surface of the water. To my amazement, the frog sat motionless even as I delicately extended my camera to within 6″ – 8″ of his nose! I took a small series of photos with slight variations in angle and exposure before packing everything back up. Still, the frog remained motionless until I took my first step back towards the trailhead, at which point it quickly darted away to some other corner of the pool. I have a tendency sometimes to personify nature and as I made the hike back to my car, I couldn’t help but smile at the way these little amphibians had effortlessly played me for nearly two hours before finally giving in. It was as if the frog had seen me leaving and said,” Look… we were just messing with you, but you’ve been a good sport about it… I’m going to give you one shot at this… don’t mess it up!” I’d like to think that I made the most of the opportunity.
You can see both of these works, as well as many other winning photographs, online at the Connecticut Forest and Park Association’s website at ctwoodlands.org.
