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All Things Connecticut New Print Releases The American Northeast

Square Bales and Summertime

Yankee Farmlands № 71 (Square bales and windrows in hay field, Bloomfield, Connecticut)
“Yankee Farmlands № 71”
Square bales and windrows in hay field, Bloomfield, Connecticut
© 2016 J. G. Coleman

Summertime sunlight beats down on a warm field dotted with freshly-bound hay bales. Looking toward the wooded field edge in the distance, we find windrows of drying hay awaiting the baler once the tractor arrives for a new day’s work.

Despite their rectangular shape, bales of hay such as these are typically referred to as “square bales”. Weighing in at only about 50 pounds, they offer the convenience of being easily moved by hand. That’s something which certainly can’t be said for larger, round bales which can weigh up to a ton and must be moved with a tractor.

But while square bales are easy to handle, you’ll generally find them only at smaller farms. Large operations produce and use so much hay that juggling all those tiny bundles would prove overwhelming. For all of the labor involved in loading, hauling and stacking a dozen square bales, it tends to be far more practical to fire up the tractor and move just one half-ton, round bale.

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All Things Connecticut New Print Releases The American Northeast

Making Hay While the Sun Shines

Yankee Farmlands № 69 (Windrows in hayfield, Bloomfield, Connecticut)
“Yankee Farmlands № 69”
Windrows in hayfield, Bloomfield, Connecticut
© 2016 J. G. Coleman

Windrows of freshly-cut hay snake through the corner of a quiet field bounded by woodlands as hazy morning clouds drift over the humid landscape.

Although hay may seem like a rather simple farm product, there’s a fairly involved series of steps and machinery that go into producing those tidy bales. Hay must first be cut and raked, usually with a tractor, into long piles known as “windrows” which are left to sun-dry in the field. Fair weather is a necessity, as excessive rains at this stage could drench the hay crop, causing it to spoil before it’s even gathered.

Once the windrows have sufficiently dried, a tractor equipped with a baler scoops up the hay, compressing it into round or rectangular forms before firmly tying the bundle. Finished bales are dropped upon the field so the next bale can be started. Thus, the final step in the process involves gathering the bales from the field for storage.

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All Things Connecticut New Print Releases The American Northeast

Silage and Watertown Farmlands

Yankee Farmlands № 40 (Farm and machinery, Watertown, Connecticut)
“Yankee Farmlands № 40”
Forage harvester and dump wagon on hill beside barns, Watertown, Connecticut
© 2015 J. G. Coleman

Amidst the gentle hills of Watertown in Western Connecticut, the warm light of morning strikes a distant complex of barns flanked by bales of hay bound in white plastic. Quietly stationed on the hill nearby is a dump wagon and forage harvester, machinery that finds use in the autumn months when acres of spent cornstalks are cut, chipped and stored for use as wintertime livestock feed.

Most of us are familiar with hay as a staple of farm animals; we’ve all seen the round or rectangular bundles of dried grasses. But livestock is also fed “silage”, which is produced by harvesting hay, grains or chopped cornstalks and quickly storing them in an air-tight environment to ferment. Farmers in the north use this silage to provide their livestock with moist, nutritious feed even during a frigid winter when the fields are frozen over.

Traditionally, fermented feed was produced by storing fresh-cut greens in tall silos (thus the term “silage”), but advances in durable plastics have largely made silos obsolete in modern times. Farmers now have machinery which can wrap individual hay bales in plastic, essentially creating small, self-contained silos that are easy to access and transport. Similar plastic is used to cover silage that can’t be baled, such as chipped cornstalks, which are collected in long heaps on the ground and tightly covered.

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Categories
All Things Connecticut New Print Releases The American Northeast

Summertime Orchards of New Hartford

Yankee Farmlands № 36 (Pear Tree beside an old fieldstone wall in an orchard, New Hartford, Connecticut)
“Yankee Farmlands № 36”
Orchard beside an old fieldstone wall, New Hartford, Connecticut
© 2015 J. G. Coleman

A thriving pear tree, its branches bowing with the weight of ripe fruit, arches over a fieldstone wall at the edge of an orchard in Northern Connecticut. Distant apple trees promise an equally generous harvest as gentle clouds soar overhead.

An 1838 book, The New American Orchardist, commented that “next to the apple, the fruit tree most generally cultivated in New England is the pear.” The author went on to explain that, despite looking very similar, pear trees are actually quite different from apple trees. “The pear tree”, we are reminded,” also differs essentially from the apple in its superior longevity.”

Indeed, the oldest cultivated fruit tree still alive in the United States is the famed Endicott Pear Tree in Essex County, Massachusetts. So named because it was raised by John Endicott, the first governor of Massachusetts, the tree is believed to have been planted roughly a decade after the Pilgrims landed at Plymouth Rock. To this day, at an age of about 385, it still produces fruit.

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Click here to visit my landing page for “Yankee Farmlands № 36” to buy a beautiful fine art print or inquire about licensing this image.

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All Things Connecticut New Print Releases The American Northeast

A Silent Barn in New Milford

Yankee Farmlands № 35 (Hay Barn, New Milford, Connecticut)
“Yankee Farmlands № 35”
Hay barn and bale elevator at dawn, New Milford, Connecticut
© 2015 J. G. Coleman

Dawn breaks over farmland in Western Connecticut on a humid summer morning. A bale elevator is perched silently at the open door of a barn overlooking woodlands in the valley below which glow with a luminous mist as sharply-angled sunlight pierces the canopy.

Photographing agricultural landscapes can occasionally be tricky, for unlike the wildlands that I shoot, farms are essentially private, man-made landscapes where the presence of a photographer wandering around in the wee hours of the morning is not always welcome. But from time to time I’ve had the pleasure of meeting and speaking with farmers that seem to understand intimately what draws photographers such as myself to their fields, rolling pastures and rustic barns.

Much like landscape photography, farming in New England generally isn’t easy or particularly lucrative work: farmers do it because they love it. They appreciate being on the land and being attuned with seasonal rhythms. A Connecticut tobacco farmer once explained that farming “isn’t a job, it’s a life.” That brand of passion, commitment and sincerity could just as easily explain the fervor with which the most dedicated landscape photographers approach their art.

Purchase a Fine Art Print or Inquire About Licensing

Click here to visit my landing page for “Yankee Farmlands № 35” to buy a beautiful fine art print or inquire about licensing this image.

Want to See More?

Be sure to check out all of my work from the on-going Yankee Farmlands collection.