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All Things Connecticut New Print Releases The American Northeast

Long Live the Granby Oak

Winter Primeval (Granby Oak, Granby, Connecticut)
“Winter Primeval”
Granby Oak (aka The Dewey Oak and Day Street Oak)Granby, Connecticut
© 2017 J. G. Coleman

According to a 2015 report by the USDA, there’s somewhere in the realm of 806 million trees scattered throughout Connecticut’s forests. Of those, it’s probably safe to say that well over 99% of them are less than 200 years of age, if not significantly younger. Indeed, old-growth forest in the Nutmeg State is exceptionally scarce, limited to a few parcels of oftentimes rough terrain where trees have somehow managed to dodge forest fires, disease, tornadoes and the mighty ax for hundreds of years. But even those old-growth trees tend most often to be 250 to 350 years old. That brings me to the truly ancient white oak tree featured in my newly-released work: the venerable Granby Oak.

Estimated to be as much as 400 to 450 years old, the Granby Oak was likely a healthy sapling at about the time that the Pilgrims were first stepping foot on Cape Cod a hundred miles to the west in 1620. The quiet road in the hills that the tree stands beside today certainly didn’t exist yet. And for that matter, neither did the town of Granby or the Connecticut Colony. The vast and storied history that the Connecticut landscape has accrued since those earliest years before European settlement could fill volumes, and through it all, the Granby Oak has quietly minded its plot of soil… growing ever larger by the decade.

Spring Primeval (Granby Oak, Granby, Connecticut)
“Spring Primeval”
Granby Oak (aka The Dewey Oak and Day Street Oak)Granby, Connecticut
© 2018 J. G. Coleman

At the time of its last formal assessment, the Granby Oak’s trunk measured more than 20 feet in circumference. It’s grown to be a fairly squat tree, measuring a bit less than 80 feet tall, though this is probably because it sat amidst open farmland for a good deal of its mature years and simply didn’t need to race skywards in an effort to compete for sunlight, as one would expect in a forest environment. Instead of growing upward, the Granby Oak grew outward, its ancient gnarled branches eventually becoming so long and heavy that they came to rest upon the ground like wooden serpents.

Of course, the tree hasn’t exactly enjoyed an easy ride; at times, it’s been a struggle. There’s no doubt that the Granby Oak has endured several dozens of hurricanes and blizzards throughout its years, apparently no worse for the wear. Only in its advanced age does it seem to have weakened somewhat unto the rigors of time and happenstance. In 1997, the plot of land on which the tree stood was nearly sold for development as a home lot, only narrowly escaping that fate when locals thankfully rallied behind the Granby Land Trust to purchase the property instead and preserve the tree so long as it should go on living. But with one crisis averted, others were to follow. The Granby Oak was hit by a truck in 2010 and barely a year later it was mangled by a freak October snowstorm that mercilessly claimed a number of its branches. And yet, somehow, this sylvan relic of Connecticut’s North has managed to persist through it all.

But what lays ahead for the Granby Oak? If we are to consider the range of recorded ages for some of the oldest fallen white oaks in the Eastern United States, the Granby Oak would already seem to have cheated death out of as much as a century. In 2005, cross-dating of a remarkable white oak in Virginia revealed an age of 464 years, easily the most extraordinary specimen on record. And yet, if the Granby Oak’s estimated age is correct, then it’s quickly approaching even the most extreme known boundaries of longevity for the species. Truth be told, while the tree remains apparently healthy and hopefully endures for several more years to come, it seems quite unlikely that another century lays ahead. It stands today as an iconic and wondrous denizen of Connecticut, having outlived virtually all of the billions of trees that existed on the day it sprouted so very long ago. What a grand life it has lead! And going forward.. well… perhaps the conclusion of Connecticut writer Stephen Wood puts it best:

“It has certainly suffered mightily since I first visited. Major limbs have disappeared and others are not long for this world. Everything dies eventually, and when this tree suffers its final fate, we can’t be too sad.”

—Stephen Wood, CTMQ.ORG

Purchase a Fine Art Print or Inquire About Licensing

Click here to visit my landing page for “Winter Primeval” to buy a beautiful fine art print or inquire about licensing this image.

Want to See More?

Be sure to check out more of my work from the Granby Oak.

Categories
All Things Connecticut New Print Releases The American Northeast

Atop the Barndoor Hills

Yankee Farmlands № 92 (Barndoor Hills, Granby, Connecticut)
“Yankee Farmlands № 92”
Granby, Connecticut
© 2016 J. G. Coleman

Nestled in a cozy valley between the monolithic Barndoor Hills, the stables and white-fenced pastureland of a picturesque horse ranch contrast with the expansive forests of Connecticut’s northwest.

Prior to the advent of automobiles in the 20th century, horses were a ubiquitous mode of transportation throughout the United States. And, perhaps thanks to Wild West films, it’s not hard for us these days to envision an era when horses were commonplace. But when did these animals arrive in New England?

Native Americans living in New England did not possess horses prior to European contact. And although the Pilgrims were exceptionally familiar with horses in their homeland, they neglected to bring any along on their pioneering voyage to establish Plymouth on the Massachusetts coast in 1620. Explicit mention of a horse in Southern New England doesn’t appear in records until 1632, when the governor of the Massachusetts Bay Colony mentions riding the “Governor’s mare” while traveling between villages.

Purchase a Fine Art Print or Inquire About Licensing

Click here to visit my landing page for “Yankee Farmlands № 92” to buy a beautiful fine art print or inquire about licensing this image.

Want to See More?

Be sure to check out all of the work from my Yankee Farmlands project.

Categories
All Things Connecticut New Print Releases The American Northeast

Enders Frozen Cradle

Enders Frozen Cradle (Hoyt Hayes Swamp, Enders State Forest, Barkhamsted, Connecticut)
“Enders Frozen Cradle”
Hoyt Hayes Swamp at Enders State Forest, Barkhamsted, Connecticut
© 2017 J. G. Coleman

Ice-bound amidst the shallows of Hoyt Hayes Swamp (above), frosted tufts of sedge flutter gently with a frigid breeze that sweeps across the open wetlands. As we peer out over the shadowy expanse of ice towards the nearby woodline, we find leaf-bare trees gratefully embracing the warmth and auburn glow of the rising sun.

Nestled in the wild northern hills of Connecticut, Enders State Forest hosts a striking series of waterfalls which are undoubtedly among the state’s most famous. As Enders Brook courses through the woodlands, it plunges and tumbles over five cliffs in less than a quarter-mile. In fact, the waterfalls are so popular that folks are apt to forget entirely about the other 2,000 acres of land encompassed within the state forest!

My latest piece represents an effort to tell a fresh, often-overlooked story of this landscape by bringing us a mile west of the waterfalls to the tract of wetlands where Enders Brook is born. There could hardly be a starker contrast than that of the icy stillness of Hoyt Hayes Swamp and the swift, raucous waterfalls it nourishes downstream.

Purchase a Fine Art Print or Inquire About Licensing

Click here to visit my landing page for “Enders Frozen Cradle” to buy a beautiful fine art print or inquire about licensing this image.

Want to See More?

Be sure to check out all of my work from Enders State Forest.

Categories
All Things Connecticut New Print Releases The American Northeast

Fields of Kale at West Granby

Yankee Farmlands № 32 (Farm field with kale, Granby, Connecticut)
“Yankee Farmlands № 32”
Field of kale, Granby, Connecticut
© 2015 J. G. Coleman

In the latest addition to my Yankee Farmlands project, wrinkled plumes of kale climb over encroaching weeds on a swath of sunny cropland in the hills of West Granby. Warm, summertime air drifts lazily through the field, the breeze too faint to stir the still forests along the farm edge.

Vegetables such as kale, collards, cabbage, broccoli, cauliflower, kohlrabi and brussel sprouts are popular greens that occasionally even share the same field. But would you believe that every one of those vegetables represents the same species? That’s right… even though they may look dramatically different, they all possess genes which are virtually identical to those of a weed known as “wild lettuce”.

How was such a diverse array of vegetables derived from a single species? Thousands of years ago, early farmers carefully selected generation after generation of cultivated wild lettuce to promote certain desired traits: long stems for kohlrabi, enlarged flower buds for broccoli, broad leaves for kale and so on.

Purchase a Fine Art Print or Inquire About Licensing

Click here to visit my landing page for “Yankee Farmlands № 32” to buy a beautiful fine art print or inquire about licensing this image.

Want to See More?

Be sure to check out all of my work in my ever-growing Yankee Farmlands project, a series which celebrates the agricultural heritage of Southern New England through the beautiful farmlands of Connecticut.

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Events and Awards New Print Releases

2013 Arts & Agriculture Juried Art Show

Talcott Mountain Rustic (Simsbury, CT)
“Talcott Mountain Rustic”
Simsbury, Connecticut
© 2013 J. G. Coleman

Two of my new prints will be among the many fine pieces on display at Lost Acres Vineyard in Granby, Connecticut this week for Arts & Agriculture, an exhibition of works inspired by the agricultural heritage of the Farmington River Valley.

The first of these new pieces, Talcott Mountain Rustic (at top), brings us to a belt of farmland in Simsbury at the foot of Talcott Mountain during mid-October. An old tractor sits parked in the fields, painted with alternating bands of shadow and light as the day’s end grows close. Talcott Mountain climbs prominently from the horizon, its broad slopes jacketed with bold autumn colors and its crest lined with bare cliffs of traprock.

My other new work on display, titled Forgotten Barn (not shown), portrays an old, sun-bleached farm building near Holcomb Farm in Granby. Overgrown weeds and shrubs crowd the walls of the aged barn, which sits nestled against the forest edge beneath an inviting expanse of blue sky and soft clouds.

The exhibition, fully dubbed Arts & Agriculture: Celebrating the Farmington Valley’s Natural Beauty, is presented by the Granby Land Trust and Granby Artists Association. The opening reception is scheduled this Wednesday, November 6, and all works will be on display and available for purchase through December 8, 2013.

Consider this your invitation to the show! The address is below:

Lost Acres Vineyard
80 Lost Acres Road
North Granby, CT 06060

  • Click here for more details about the show from the Granby Land Trust.
Categories
Events and Awards

2012 Granby Land Trust Juried Art Show

On November 1 at Lost Acres Vineyard in North Granby, the Granby Land Trust will be unveiling a range of new artwork featured in this years juried art competition, Places of Inspiration: Celebrating the Farmington Valley’s Natural Beauty. Among the fine works on display, you’ll find my piece “Carpenters Falls at Granby”, which features a truly exquisite waterfall found in the woodlands of the 4,800-acre McLean Game Refuge.

Carpenters Falls at Granby (Granby, Connecticut)
“Carpenters Falls at Granby”
McLean Game Refuge, Granby, Connecticut
© 2012 J. G. Coleman

“Carpenters Falls at Granby” is heavy on texture and fine detail, from rough contours of water-chiseled bedrock and airy sprays of leaves to the wispy veils of the falls and the churning water below. The piece you’ll find on display is a 12″ x 18″ photographic print on Kodak Endura, matted with white-core black to 18″ x 24″ and framed with a dark-stain wood. If you’ve only seen my work on the computer screen thus far, this is a great opportunity to see how much more dramatic these pieces are in print!

For that matter, you’ll see a host of excellent works from several Connecticut artists, each of whom has found something truly inspiring in the natural splendor of the Farmington River Valley. And this isn’t just show-and-tell, folks… every piece is available for purchase.

Consider yourself invited to Places of Inspiration! And don’t worry if you can’t make the opening on November 1; you can drop by Lost Acres Vineyard anytime before December 1 and see the full display.

Lost Acres Vineyard
80 Lost Acres Road
North Granby, CT 06060

  • Want to know more about the Places of Inspiration show? Click here for more details from the Granby Land Trust.